Delaney O'Hare

The finished painted set.

The set with a view of the ramp and floor, and twinkle lights embedded in the mural.

A scene in a house incorporating clear chairs and lighting. Photo Credit: Rick McLay

The first scene in the forest, incorporating the use of UV paints on the set, floor and costumes. Photo Credit: Rick McLay

Another view of the black light and colors used in the first forest scene. Photo Credit: Rick McLay

View of the set with muted colors and gold pillars. Photo Credit: Rick McLay

Close-up image of Ashgirl and Sadness. Photo Credit: Rick McLay

The black and white set interacting with color-changing LED lights. Photo Credit: Rick McLay

The set interacting with black-light and gobos. Photo Credit: Rick McLay

Another angle of the set. Photo Credit: Rick McLay

A progress shot of the almost finished floor with the pillars and backdrop ready to go.

Aerial view of the finished mural on the left side. Painted on 30' x 30' muslin.

Aerial view of the finished mural on the right side. Painted on 30' x 30' muslin.

Aerial view of the finished outline of the stage floor.